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61.
How ill the motion with the music suits
First Line:
How ill the motion with the music suits
Last Line:
So Orpheus fiddled and so danced the brutes
Author:
George Jeffreys (Absolute) & Ambrose Philips (Speculation)
DMI number:
8394
62.
How ill the motion with the music suits
First Line:
How ill the motion with the music suits
Last Line:
So Orpheus played and like them danced the brutes
Author:
George Jeffreys (Absolute)
DMI number:
24567
63.
How happy bright C----r are all thy inventions
First Line:
How happy bright C----r are all thy inventions
Last Line:
And Tom A--ne shall compose what his sister shall sing
DMI number:
15978
64.
Here the soft accents of Clarinda's tongue
First Line:
Here the soft accents of Clarinda's tongue
Last Line:
The Greek transported then had died to hear
DMI number:
5144
65.
High on a bough that trembled over a spring
First Line:
High on a bough that trembled over a spring
Last Line:
Nymphs take my life since you despise my song
Author:
Philip Ayres (Absolute)
DMI number:
3120
66.
I had a bass ah me it is no more
First Line:
I had a bass ah me it is no more
Last Line:
And kissed the -- just raised to shed thy blood
DMI number:
25946
67.
I first of Romans stooped to rural strains
First Line:
I first of Romans stooped to rural strains
Last Line:
And to prevailing shades the murmuring world resigned
Author:
Wentworth Dillon (Absolute)
DMI number:
3787
68.
In rural strains we first our music try
First Line:
In rural strains we first our music try
Last Line:
And by his tale unenvied praises won
Author:
Ambrose Philips (Absolute)
DMI number:
6963
69.
In halleluias all your voices join
First Line:
In halleluias all your voices join
Last Line:
And with your alleluias end the song
Author:
Elizabeth Tollet (Absolute)
DMI number:
26866
70.
In former time it hath been upbraided thus
First Line:
In former time it hath been upbraided thus
Last Line:
Art thus embraced by ingenuity
DMI number:
43351
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