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11. At that sad prospect that tormenting scene

First Line:
At that sad prospect that tormenting scene
Last Line:
Hope in her looks but anguish at her breast
Author:
Christopher Pitt (Absolute)
DMI number:
31686

12. At this a flood of tears Lavinia shed

First Line:
At this a flood of tears Lavinia shed
Last Line:
Or lilies damasked by the neighbouring rose
Author:
John Dryden (Absolute) & Virgil (Absolute)
DMI number:
31663

13. As when some peasant in a bushy brake

First Line:
As when some peasant in a bushy brake
Last Line:
So from our arms surprised Androgeos flies
Author:
John Dryden (Absolute)
DMI number:
28551

14. As when two bulls for their fair female fight

First Line:
As when two bulls for their fair female fight
Last Line:
So clash their swords and so their shields resound
Author:
John Dryden (Absolute)
DMI number:
31672

15. Aurora now had left her saffron bed

First Line:
Aurora now had left her saffron bed
Last Line:
The spouting blood came streaming on her hands
Author:
John Dryden (Absolute)
DMI number:
28078

16. Be charmed my friend by neither love nor wine

First Line:
Be charmed my friend by neither love nor wine
Last Line:
Beyond these bounds they will destructive prove
Author:
John Morrice (Absolute)
DMI number:
13789

17. Both armies from their bloody work desist

First Line:
Both armies from their bloody work desist
Last Line:
And shakes the sounding forest on his sides
Author:
John Dryden (Absolute)
DMI number:
31671

18. Beneath the beech's venerable shade

First Line:
Beneath the beech's venerable shade
Last Line:
From the vast mountain falls the extended shade
DMI number:
31497

19. Beneath the shade which beechen boughs diffuse

First Line:
Beneath the shade which beechen boughs diffuse
Last Line:
And curling smoke from cottages ascends
Author:
John Dryden (Absolute)
DMI number:
30125

20. By a bold people's stubborn arms oppressed

First Line:
By a bold people's stubborn arms oppressed
Last Line:
And on an open stage unburied lye
DMI number:
42600