Blacklight

A Poetical Rhapsody [1611] [S105119]

DMI number:
1797
Publication Date:
1611
Volume Number:
1 of 1
ESTC number:
S105119
EEBO/ECCO link:
http://gateway.proquest.com/openurl?ctx_ver=Z39.88-2003&res_id=xri:eebo&rft_id=xri:eebo:citation:99840849
Shelfmark:
EEBO
Place of Publication:
London
Genres:
Collection of 16th century verse and Collection of literary verse
Format:
Duodecimo
Content/Publication
First Line:
Great Earl whose brave heroic mind is higher
Page No:
A2r
Poem Title:
To the most noble, honourable, and worthy lord William earl of Pembroke, lord Herbert of Cardiff, Marmion and Saint Quintine.
Attribution:
Fra. Davison
Attributed To:
Francis Davison
First Line:
Long have I lived in court yet learned not all this while
Page No:
B1r-B2r; pp. 1-3
Poem Title:
Yet other twelve wonders of the world, never before published, by John Davis.
Attribution:
John Davis
Attributed To:
Sir John Davies
First Line:
Cynthia queen of seas and lands
Page No:
B2r-B2v; pp. 3-4
Poem Title:
A lottery presented before the late queen's majesty at the lord chancellor's house, 1601
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Fortune must now no more on triumph ride
Page No:
B3r-B4r; pp. 5-7
Poem Title:
The lots
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Wife Widow well met whither go you today
Page No:
B4r-B8r; pp. 7-15
Poem Title:
A contention betwixt a wife, a widow, and a maid.
Attribution:
Iohn Davis
Attributed To:
Sir John Davies
First Line:
Go soul the body's guest
Page No:
B8r-B9r; pp. 15-17
Poem Title:
The Lie
Attribution:
None
Attributed To:
Sir Walter Ralegh [Raleigh]
First Line:
Join mates in mirth to me
Page No:
B9r-B10r; pp. 17-19
Poem Title:
Two pastorals, made by Sir Philip Sidney. Upon his meeting with two worthy friends, and fellow poets, Sir Edward [Dier and M. Fulke Grevill]
Attribution:
Sir Ph. Sidney
Attributed To:
Sir Philip Sidney
First Line:
Walking in bright Phoebus blaze
Page No:
B10r-B11r; pp. 19-21
Poem Title:
Dispraise of a courtly life
Attribution:
Sir Ph. Sidney
Attributed To:
Sir Philip Sidney
First Line:
It chanced of late a shepherd's swain
Page No:
B11r-12r; pp. 21-23
Poem Title:
Fiction how Cupid made a nymph wound herself with his arrows.
Attribution:
None
Attributed To:
Not attributed
First Line:
Then I sing divine Astrea's praise
Page No:
B12r-C1r; pp. 23-25
Poem Title:
A dialogue between two shepherds, Thenot, and Piers, in praise of Astrea
Attribution:
Mary countess of Pembroke
Attributed To:
Mary Herbert [nee Sidney]
First Line:
Oh wither shall I turn me
Page No:
C1r-C2r; pp. 25-27
Poem Title:
A roundelay in inverted rhymes, between the two friendly rivals, Strephon and Klaius, in the presence of Urania, mistress to them both.
Attribution:
Walter Davison.
Attributed To:
Walter Davison
First Line:
Sweet I do not pardon crave
Page No:
C2r-C2v; pp. 27-28
Poem Title:
Strephons Palinode
Attribution:
None
Attributed To:
Not attributed
First Line:
Since true penance hath suspended
Page No:
C2v-C3r; pp. 28-29
Poem Title:
Urania's answer in inverted rhymes, staff for staff.
Attribution:
Fra. Davison
Attributed To:
Francis Davison
First Line:
A shepherd poor Eubulus called he was
Page No:
C3v-C7r; pp. 30-37
Poem Title:
I. Eclogue
Attribution:
F. D.
Attributed To:
Francis Davison
First Line:
A little herd-groom for he was no better
Page No:
C7v-C8v; pp. 38-40
Poem Title:
I. Eclogue intituled Cuddy.
Attribution:
None
Attributed To:
Not attributed
First Line:
The virtuous man is free though bound in chains
Page No:
C8v-C9r; pp. 40-41
Poem Title:
Cuddy's Emblem
Attribution:
None
Attributed To:
Not attributed
First Line:
Perin areed what new mischance betide
Page No:
C9r-C12r; pp. 41-47
Poem Title:
An Eclogue. Made long since upon the death of Sir Philip Sidney.
Attribution:
A.W.
Attributed To:
Not attributed
First Line:
Come gentle herdman sit by me
Page No:
C12r-D2r; pp. 47-51
Poem Title:
II. Eclogue.
Attribution:
None
Attributed To:
Not attributed
First Line:
For when thou are not as thou wont of y'ore
Page No:
D2r-D3r; pp. 51-53
Poem Title:
IIII. Eclogue: Concerning old age. The beginning and end of this eclogue are wanting.
Attribution:
None
Attributed To:
Not attributed
First Line:
Ye ghastly groves that hear my woeful cries
Page No:
D4r-D5r; pp. 55-57
Poem Title:
A complaint, of which all the staves end with the words of the first, like a sestine.
Attribution:
F.D.
Attributed To:
Francis Davison
First Line:
Ye woeful sires whose causeless hate hath bred
Page No:
D5r; p. 57
Poem Title:
Inscriptions: Thisbe
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Hold hold thy hand vile son of viler mother
Page No:
D5r-D5v; pp. 57-58
Poem Title:
Clytemnestra to her son Orestes, coming to kill her for murdering his father Agamemnon.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
This sword is mine or will Laertes Sonne
Page No:
D5v; p. 58
Poem Title:
Ajax
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
No common womb was fit me forth to bring
Page No:
D5v; p. 58
Poem Title:
Romulus
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My famous country values gold far less
Page No:
D5v; p. 58
Poem Title:
Fabritius Curio, who refused gold of the Samnites, and discovered to King Pyrrhus his Phistion that offered to poison him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Caesar thou hast o'ercome to thy great fame
Page No:
D6r; p. 59
Poem Title:
Cato Utican who slew himself because he would not fall into Caesar's hands
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
While thou didest love me and that neck of thine
Page No:
D6r-D6v; p. 59-60
Poem Title:
A Dialogue in imitation of that between Horace and Lydia, beginning, Donec, gratus eram tibi etc.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Though you be not content
Page No:
D6v; p. 60
Poem Title:
Madrigal
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
He's rich enough whose eyes behold thee
Page No:
D6v; p. 60
Poem Title:
Madrigal: Borrowed out of a Greek epigram
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Oh fair yet murdering eyes
Page No:
D6v-D7r; pp. 60-61
Poem Title:
Madrigal: Upon her dreaming that she saw him dead.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
When traiterous Photine Caesar did present
Page No:
D7r-p. 61
Poem Title:
Sonnets
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
While love in you did live I only lived in you
Page No:
D7r-D7v-pp. 61-62
Poem Title:
Sonnet
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Phoebus of all the gods I wish to be
Page No:
D7v-p. 62
Poem Title:
To mistress Diana.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sure dear I love you not for he that loveth
Page No:
D7v-D8r; pp. 62-63
Poem Title:
Upon his departure: Madrigal.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Four teeth of late you had both black and shaking
Page No:
D8r; p. 63
Poem Title:
Epigrams translated out of Martial. Ad Aelian. 76. L. I.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Naso let none drink in his glass but he
Page No:
D8r; p. 63
Poem Title:
A monsieur Naso, Verole
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Not attributed
First Line:
I muse not that your dog turds oft doth eat
Page No:
D8r; p. 63
Poem Title:
De Manuella. 51. l. [I]
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Milo lives long in France and while he's there
Page No:
D8v; p. 64
Poem Title:
De Milone
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Codrus although but of mean estate
Page No:
D8v; p. 64
Poem Title:
Dr codro. Li. 15.3
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thy lawful wise fair Laelia needs must be
Page No:
D8v; p. 64
Poem Title:
Ad Quintum. 117. L.5.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Rich Chremes whiles he lives will nought bestow
Page No:
D8v; p. 64
Poem Title:
[No title]
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Fail ye of wealth of wealth ye still will fail
Page No:
D8v; p. 64
Poem Title:
[No title]
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My just demands so one grant or soon deny
Page No:
D9r; p. 65
Poem Title:
In cinnam. 42. L.7.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
What so'ere you coggingly require
Page No:
D9r; p. 65
Poem Title:
In cinnam. 107. L. 5.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Philo swears he ne're eats at home a nights
Page No:
D9r; p. 65
Poem Title:
De philone. 48. L.5.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
You promise mountains still to me
Page No:
D9r; p. 65
Poem Title:
12. L 12.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Why do your wife and you so ill agree
Page No:
D9r-D9v; pp. 65-66
Poem Title:
Ad pessimos conjuges. 35. L. [8]
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
He that will thrive in court must oft become
Page No:
D9v; p/ 66
Poem Title:
Epigrams: A rule for courtiers.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Whosoever sayeth thou sellest all doth jest
Page No:
D9v; p/ 66
Poem Title:
On a painted [curtizan]
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Her sons rich Aula terms her lechers all
Page No:
D9v; p/ 66
Poem Title:
In aulam.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If thou be fair thy beauties beautify
Page No:
D9v-D10r; pp. 66-67
Poem Title:
For a looking glass.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thou still wert wont in earnest or in jest
Page No:
D10r; p. 67
Poem Title:
In asinium
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Thou evermore dost ancient poets blame
Page No:
D10r; p. 67
Poem Title:
On a limping cuckold.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
By want of shift since lice at first are bred
Page No:
D10r; p. 67
Poem Title:
On a [crambo] a lousy shifter.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Quintus is burnt and may thereof by glad
Page No:
D10r; p. 67
Poem Title:
In quintum
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Why will not Saba in a glass behold
Page No:
D10r; p. 67
Poem Title:
In sabam.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Aulus gives nought men say though much he crave
Page No:
D10r; p. 67
Poem Title:
In Aulum
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If my harsh humble style and rhymes ill dressed
Page No:
D10v; p. 70
Poem Title:
Madrigals: Sonnet I. Dedication of these rhymes, to his first love.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
I bend my wits and beat my weary brain
Page No:
D10v; p. 70
Poem Title:
Sonnet II. That he cannot hide or desemble his affection.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
The fairest eye oh eyes in blackness fair
Page No:
D11r; p. 71
Poem Title:
Sonnet III. Upon his absence from her.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Who in these lines may better claim a part
Page No:
D11r; p. 71
Poem Title:
Sonnet IIII. Upon presenting her with the speech of Gray's Inn Masque, at the court, 1594, consisting of three parts. The story of Proteus' transformations, the wonders of the adamantine Rock, and a speech to her majesty.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sitting at board sometimes prepared to eat
Page No:
D11v-12r; pp. 70-71
Poem Title:
Elegy I. He renounceth his food, and former delight in music, poesy, and painting.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Wake pity wake for thou hast slept too long
Page No:
D12r; p. 71
Poem Title:
Sonnet V. To Pity
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Passion may my judgement blear
Page No:
D12r-D12v; p. 71-74
Poem Title:
Ode I. That only her beauty and voice please him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Love if a God thou art
Page No:
D12v; p. 74
Poem Title:
Madrigal I. To Cupid
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
In health and ease am I
Page No:
D12v-E1r; pp. 74-75
Poem Title:
Madrigal II. Upon his mistress sickness and his own health.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sorrow slowly killeth any
Page No:
E1r; p. 75
Poem Title:
Magrigal 3. He begs a kiss.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Since I your cherry lips did kiss
Page No:
E1r; p. 75
Poem Title:
Madrigal 4. Upon a kiss received.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Lady you are with the beauties so enriched
Page No:
E1v-p. 76
Poem Title:
Ode II. Upon her protestation of kind affection, having tried his sincere fidelity.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Your presence breeds my anguish
Page No:
E1v-E2r; pp. 76-77
Poem Title:
Ode II. His restless estate.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My dearest sweet if these sad lines do hap
Page No:
E2r-E4v; pp. 77-82
Poem Title:
Elegy II. Or letters in verse.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
My only star
Page No:
E4v-E5v; pp. 82-84
Poem Title:
Ode IIII. Being by his absence in Italy deprived of her looks, words, and gestures, he desireth her to write unto him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
The wretched life I live
Page No:
E5v; p. 84
Poem Title:
Madrigal 5. Allusion to the confusion of Babel.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If love conjoined with worth and great desert
Page No:
E5v-E6r; pp. 84-85
Poem Title:
Sonnet VI. Upon her acknowledging his desert, yet rejecting his affection.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If your fond love want worth and great desert
Page No:
E6r; p. 85
Poem Title:
Sonnet 7: Her answer in the same rhymes.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Sweet if you like and love me still
Page No:
E6r-E6v; pp. 85-86
Poem Title:
Ode 5: his farewell to his unkind and unconstant mistress.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
I dare not in my master's bosom rest
Page No:
E6v; p. 86
Poem Title:
Ode VI: A prosopopoeia, wherein his heart speaks to his second lady's breast
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Lady of matchless beauty
Page No:
E7r-E7v; pp. 87-88
Poem Title:
Ode VII: Upon her giving him back the paper wherein the former song was written, as though it had been an answer thereunto.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Some there are as fair to see too
Page No:
E7v; p. 88
Poem Title:
Ode 8: Commendation of her beauty, stature behaviour and wit.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Oh hand of all hands living
Page No:
E7v; p. 88
Poem Title:
Madrigal 6. To her hand, upon her giving him her glove.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Ah Cupid I mistook thee
Page No:
E8r; p. 89
Poem Title:
Madrigal 7: Cupid proved a fencer.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Praise you those barren rhymes long since composed
Page No:
E8r; p. 89
Poem Title:
Sonnet 8: Upon her commending (though most undeservedly) his verses to his first love.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Like to the silly fly
Page No:
E8r-E8v; pp. 89-90
Poem Title:
Madrigal 8: He compares himself to a candle fly.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If I behold your eyes
Page No:
E8v; p. 90
Poem Title:
Madrigal IX. Answers to her question, what love was.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
In heaven the blessed angels have their being
Page No:
E8v-E9r; pp. 90-91
Poem Title:
Ode IX. That all other creatures have their abiding in heaven, hell, earth, air, water or fire, but he in all of them.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Are lovers full of fire
Page No:
E9r; p. 91
Poem Title:
Madrigal 10. Upon his timerous silence in her presence.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If this most wretched and infernal anguish
Page No:
E9r; p. 91
Poem Title:
Madrigal 11. Upon her long absence.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Fairest and kindest of all womankind
Page No:
E9v; p. 92
Poem Title:
Upon seeing his face in her eye.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Go wailing accents go
Page No:
E9v; p. 92
Poem Title:
Madrigal XII. Upon her hiding her face from him.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Whosoever longs to try
Page No:
E9v-E10r; pp. 92-93
Poem Title:
Madrigal 13. Upon her beauty and inconstancy.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Heart Shun not sweet breast to see me all of fire
Page No:
E10r; p. 93
Poem Title:
A dialogue between two lovers flaming heart, and his lady's frozen breast.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Dear why hath my long love and faith unfained
Page No:
E10r-E10v; pp. 93-94
Poem Title:
Elegy 3: For what cause he obtains not his lady favour.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
If you reward my love with love again
Page No:
E10v; p. 94
Poem Title:
A quatrain.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Worthily famous Lord whose virtues rare
Page No:
E10v-E11r; pp. 94-95
Poem Title:
Sonnet 10. To a worthy lord (now dead) upon presenting him for a new year's gift, with Caesar's commentaries and Cornelius Tacitus
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Olympias matchless son when as he knew
Page No:
E11r-E11v; pp. 95-96
Poem Title:
To Samuel Daniel Prince of English Poets. Upon his three several sorts of poesy.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Wits perfection beauty's wonder
Page No:
E11v-E12r; pp. 96-97
Poem Title:
Non equidem inuideo, miror magis. Three Epitaphs upon the death of a rare child of six years old.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Oh most unhappy Dido
Page No:
E12r; p. 97
Poem Title:
An inscription for the statue of Dido.
Attribution:
By Francis Davison and Walter Davison, Brethren / Francis Davison
Attributed To:
Francis Davison
First Line:
Let not sweet saint let not these lines offend you
Page No:
E12v; p. 98
Poem Title:
More Sonnets, Odes etc: Sonnet I. He demands pardon, for looking, loving, and writing.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
But if my lines may not be held excused
Page No:
E12v-F1r; pp. 98-99
Poem Title:
Sonnet 2. Love in justice punishable only with like love,
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Fair is thy face and great thy wits perfection
Page No:
F1r; p. 99
Poem Title:
Sonnet III. He calls his ears, eyes, and heart as witnesses of her sweet voice, beauty and inward virtuous perfections.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
I bend my wit but wit cannot deny
Page No:
F1r-F1v; pp. 99-100
Poem Title:
Sonnet IIII. Praise of her eyes, excelling all comparisons.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
As she is fair so faithful I
Page No:
F1v-F2r; pp. 100-101
Poem Title:
Ode I. His Lady to be condemned of ignorance or cruelty
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Reason and love lately at strife contended
Page No:
F2r; p. 101
Poem Title:
Sonnet V: Contention of Love and Reason for his heart.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Let fate my Fortune and my stars conspire
Page No:
F2r; p.101
Poem Title:
Sonnet VI. That she hath greater power over his happiness and life, than either Fortune, Fate or Stars.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
What need I say how it doth wound my breast
Page No:
F2v; p.102
Poem Title:
Sonnet VII. Of his lady's weeping.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Sweet to my cursed life some favour show
Page No:
F2v; p.102
Poem Title:
Sonnet VIII. He paints out his torment.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
At her fair hands how have I grace entreated
Page No:
F3r-3v; pp. 103-104
Poem Title:
Ode II. A dialogue between hin and his heart.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
I have entreated and I have complained
Page No:
F3v; p. 104
Poem Title:
Sonnet VII. His sighs and tears are bootless.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Wounded with grief I weep and sigh and plain
Page No:
F3v-4r; pp. 104-105
Poem Title:
Sonnet VIII. Her beauty makes him live even in despair.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Oft do I plain and she my plaints doth read
Page No:
F4r; p. 105
Poem Title:
Sonnet IX. Why her lips yield no words of comfort
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Like a sea-tossed bark with tackling spent
Page No:
F4r-F4v; pp. 105-6
Poem Title:
Sonnet X. Comparison of his heart to a tempest beaten ship.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Even as my hand my pen and paper lays
Page No:
F4v-F5v; pp. 106-108
Poem Title:
Elegy. To his lady, who had vowed virginity.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
How can my love in equity be blamed
Page No:
F5v; p. 108
Poem Title:
Sonnet XI. That he cannot leave to love, though commanded.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Must my devoted heart desist to love her
Page No:
F5v-F6r; pp. 108-9
Poem Title:
Sonnet XII. He desires leave to write of his love.
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Dust is lighter than a feather
Page No:
F6r; p. 109
Poem Title:
[no title]
Attribution:
By Francis Davison and Walter Davison, Brethren / W. D.
Attributed To:
Walter Davison
First Line:
Speak gentle heart where is thy dwelling place
Page No:
F7r; p. 111
Poem Title:
A dialogue between the lover and his heart.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Come gentle Death D Who calls L One that's oppressed
Page No:
F7v; p. 112
Poem Title:
A dialogue between a love, death, and love.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Time wasteth years and months and days and hours
Page No:
F7v; p. 112
Poem Title:
Time hath no power to end or diminish his love.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
If love had lost his shafts and Jove down threw
Page No:
F8r; p. 113
Poem Title:
Love's Hyperboles.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Love is a sour delight a sugared grief
Page No:
F8r-8v; pp. 113-114
Poem Title:
An Invective against Love
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
I joy not peace where yet no war is found
Page No:
F8v; p. 114
Poem Title:
Petrarch's Sonnet translated.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
In that I thirst for such a goddess grace
Page No:
F9r; p. 115
Poem Title:
He proves himself to endure the hellish torments of Tantalus, Ixion, Titius, Sisyphus, and the Belides.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
Where heat of love doth once possess the heart
Page No:
F9r; p. 115
Poem Title:
Love discommodities.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
The soldier worn with wars delights in peace
Page No:
F9v; p. 116
Poem Title:
Allegory of his love to a ship.
Attribution:
Ten Sonnets by T.W.
Attributed To:
Thomas Watson
First Line:
I curse the time wherein these lips of mine
Page No:
F9v; p. 116
Poem Title:
Execration of his passed love.
Attribution:
T.W.
Attributed To:
Thomas Watson
First Line:
The sun doth make the marigold to florish
Page No:
F10r-F10v; pp. 117-118
Poem Title:
A sonnet of the sun: a jewe, being a sun-shining upon the marigold closed in a heart of gold sent to his mistress, named Mary.
Attribution:
Cha. Best.
Attributed To:
Charles Best
First Line:
Look how the pale queen of the silent night
Page No:
F10v; p. 118
Poem Title:
A sonnet of the moon.
Attribution:
Cha. Best.
Attributed To:
Charles Best
First Line:
Some men they say are poets born by kind
Page No:
F10-11r; pp. 118-119
Poem Title:
Three sonnets for a proem to the poems following. That love only made him a poet, and that all sorts of verses, both in rhyme and measure, agree with his lady. Sonnet 1.
Attribution:
None
Attributed To:
Not attributed
First Line:
What moved me then Say Love for thou canst tell
Page No:
F11r; p. 119
Poem Title:
Sonnet 2
Attribution:
None
Attributed To:
Not attributed
First Line:
Thus am I free from laws that other bind
Page No:
F11r; p. 119
Poem Title:
Sonnet 3.
Attribution:
None
Attributed To:
Not attributed
First Line:
Sweet Love mine only treasure
Page No:
F11v-p. 120
Poem Title:
Ode. Where his lady keeps his heart.
Attribution:
None
Attributed To:
Not attributed
First Line:
Fain would I learn of thee thou murth'ring eye
Page No:
F11v-F12r; pp. 120-121
Poem Title:
To her eyes.
Attribution:
None
Attributed To:
Not attributed
First Line:
As soon may water wipe me dry
Page No:
F12r; p. 121
Poem Title:
Ode 2. The more favour he obtains, the more he desires.
Attribution:
None
Attributed To:
Not attributed
First Line:
The fairest pearls that Northern seas do breed
Page No:
F12v-G1r; pp.122-123
Poem Title:
Love the only price of love
Attribution:
None
Attributed To:
Not attributed
First Line:
My heart was found within my Lady's breast
Page No:
G1r; p. 123
Poem Title:
His heart arraigned of theft, and acquitted.
Attribution:
None
Attributed To:
Not attributed
First Line:
Thine eyes so bright
Page No:
G1r-G1v; pp. 123-124
Poem Title:
Madrigal I.
Attribution:
None
Attributed To:
Not attributed
First Line:
Time nor place did I want what held me tonguetied
Page No:
G1v; p. 124
Poem Title:
Phaleuciak I.
Attribution:
None
Attributed To:
Not attributed
First Line:
Sweet thoughts the food on which I feeding starve
Page No:
G1v; p. 124
Poem Title:
Deadly sweetness
Attribution:
None
Attributed To:
Not attributed
First Line:
If love be made of words as woods of trees
Page No:
G1v-G2r; pp. 124-5
Poem Title:
Madrigal II. Verbal love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Oft have I mused the cause to find
Page No:
G2r; p.125
Poem Title:
Ladies eyes, serve cupid both for darts and fire.
Attribution:
None
Attributed To:
Not attributed
First Line:
I smile sometimes amidst my greatest grief
Page No:
G2r; p.125
Poem Title:
Love's contrarieties.
Attribution:
None
Attributed To:
Not attributed
First Line:
Desire and hope have moved my mind
Page No:
G2v; p. 126.
Poem Title:
Ode III. Desire and hope.
Attribution:
None
Attributed To:
Not attributed
First Line:
She only is the pride of nature's skill
Page No:
G3r; p. 127
Poem Title:
Elegy III. Her praise is in her wont.
Attribution:
None
Attributed To:
Not attributed
First Line:
Smooth are thy looks so is thy deepest stream
Page No:
G3r-G3v; pp. 127-128
Poem Title:
Laudo quod lugeo. Her outward gesture decieving his inward hope.
Attribution:
None
Attributed To:
Not attributed
First Line:
How or where have I lost my self unhappy I
Page No:
G3v; p. 128
Poem Title:
Phaleuciacke II.
Attribution:
None
Attributed To:
Not attributed
First Line:
Muse not lady to read so strange a metre
Page No:
G3v; p. 128
Poem Title:
Lenvoy in rhyming Phaleuciads.
Attribution:
None
Attributed To:
Not attributed
First Line:
Wronged by desire I yielded to disdain
Page No:
G3v-G4r; pp. 128-129
Poem Title:
Sonnet IIII. Desire hath conquered revenge.
Attribution:
None
Attributed To:
Not attributed
First Line:
The love of change hath changed the world throughout
Page No:
G4r-G4v; pp. 129-130
Poem Title:
That he is unchangable
Attribution:
None
Attributed To:
Not attributed
First Line:
Unhappy eyes the causers of my pain
Page No:
G4v; p. 130
Poem Title:
To his eyes
Attribution:
None
Attributed To:
Not attributed
First Line:
The night say all was made to rest
Page No:
G4v-G5r; pp. 130-131
Poem Title:
Ode IIII. Upon visiting his lady by moon-light
Attribution:
None
Attributed To:
Not attributed
First Line:
The summer sun that scalds the ground with heat
Page No:
G5r-G5v; pp. 131-132
Poem Title:
Upon her absence
Attribution:
None
Attributed To:
Not attributed
First Line:
When will the fountain of my tears be dry
Page No:
G5v; p. 132
Poem Title:
Ode V. Petition to have her leave to die.
Attribution:
None
Attributed To:
Not attributed
First Line:
The frozen snake oppressed with heaped snow
Page No:
G6r; p. 133
Poem Title:
The lover absence kills me, her presence cures me
Attribution:
None
Attributed To:
Not attributed
First Line:
If my decay be your increase
Page No:
G6r-G6v; pp. 133-134
Poem Title:
Ode VI: The kind lover's complaint in finding nothing but folly for his faithfulness.
Attribution:
None
Attributed To:
Not attributed
First Line:
Close your lids unhappy eyes
Page No:
G7r; p. 135
Poem Title:
Ode VII: Unhappy eyes
Attribution:
None
Attributed To:
Not attributed
First Line:
Cupid at length I spy thy crafty wile
Page No:
G7v; p. 135
Poem Title:
Cupid shoots light, but wounds sore.
Attribution:
None
Attributed To:
Not attributed
First Line:
If love be nothing but an idle name
Page No:
G7v-G8r; pp. 135-136
Poem Title:
A true description of love, paraphrastically translated out of Petrarch's 103 sonnet beginning S'Amor non e che dunque e quel ch'io sento.
Attribution:
None
Attributed To:
Not attributed
First Line:
Fair is thy face and that thou knowest too well
Page No:
G8v; p. 138
Poem Title:
Fair face and hard heart.
Attribution:
None
Attributed To:
Not attributed
First Line:
Disdain that so doth fill me
Page No:
G8v-G9r; pp. 138-139
Poem Title:
Ode VIII. Disdain at variance with desire.
Attribution:
None
Attributed To:
Not attributed
First Line:
All is not gold that shineth bright in show
Page No:
G9r-G9v; pp. 139-140
Poem Title:
An Invective against Love
Attribution:
None
Attributed To:
Not attributed
First Line:
My wanton muse that whilome wont to sing
Page No:
G9v-G10v; pp. 140-142
Poem Title:
Upon an heroical poem which he had begun (in imitation of Virgil) of the first inhabiting this famour isle by Brute, and the Troyans.
Attribution:
None
Attributed To:
Not attributed
First Line:
In happy time the wished fair is come
Page No:
G10v-G11r; pp. 142-143
Poem Title:
Upon his lady buying strings for her lute.
Attribution:
None
Attributed To:
Not attributed
First Line:
My heavy heart with grief and hope torment
Page No:
G11r; p. 143
Poem Title:
Care will not let him live, nor hope let him die.
Attribution:
None
Attributed To:
Not attributed
First Line:
A new found match is made of late
Page No:
G11v; p. 144
Poem Title:
Ode 9. Cupid's marriage with dissimulation.
Attribution:
None
Attributed To:
Not attributed
First Line:
If love be life I long to die
Page No:
G12r-G12v; pp. 145-146
Poem Title:
Ode 10: Dispraise of love and lovers follies.
Attribution:
None
Attributed To:
Not attributed
First Line:
The golden sun that brings the day
Page No:
G12v; p. 146
Poem Title:
In praise of the sun
Attribution:
None
Attributed To:
Not attributed
First Line:
Rest good my Muse and give me leave to rest
Page No:
H1r; p. 147
Poem Title:
Ode XI. To his muse
Attribution:
None
Attributed To:
Not attributed
First Line:
Mine eyes have spent their tears and now are dry
Page No:
H1r-H1v; pp. 147-148
Poem Title:
Death in love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Break heavy heart and rid me of this pain
Page No:
H1v-H2r; pp. 148-149
Poem Title:
Break heavy heart
Attribution:
None
Attributed To:
Not attributed
First Line:
Where wit is over-ruled by will
Page No:
H2r; p. 149
Poem Title:
Desire's Government
Attribution:
None
Attributed To:
Not attributed
First Line:
Twixt heat and cold t'wixt death and life
Page No:
H2r-H2v; pp. 149-150
Poem Title:
Love's properties.
Attribution:
None
Attributed To:
Not attributed
First Line:
If means be none to end my restless care
Page No:
H2v; p. 150
Poem Title:
Living death
Attribution:
None
Attributed To:
Not attributed
First Line:
Ye walls that shut me up from sight of men
Page No:
H2v; p. 150
Poem Title:
The passionate prisoner
Attribution:
None
Attributed To:
Not attributed
First Line:
Though naked trees seem dead to sight
Page No:
H3r; p. 151 [marked as A3]
Poem Title:
Hopeless desire soon withers and dies
Attribution:
None
Attributed To:
Not attributed
First Line:
Nay nay thou striv'st in vain my heart
Page No:
H3r-H3v; pp. 151-152
Poem Title:
Ode XII. To his heart
Attribution:
None
Attributed To:
Not attributed
First Line:
Wisdom warns me to shun that once I sought for
Page No:
H3v-H4r; pp. 152-153
Poem Title:
Phaleuciacs. III.
Attribution:
None
Attributed To:
Not attributed
First Line:
Now have I learned with much ado at last
Page No:
H4r; p. 153
Poem Title:
Ode XIII. A defiance to disdainful love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Since just disdain began to rise
Page No:
H4r; p. 153
Poem Title:
Being scorned and disdained, he inveighs against his lady.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
When Venus saw desire must die
Page No:
H4v-H5r; pp. 154-155
Poem Title:
Ode 14. The tomb of dead desire.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
My Muse by thee restored to life
Page No:
H5v; p. 156
Poem Title:
An altar and sacrifice to disdain, for freeing him from love.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Of Atreus sons fain would I write
Page No:
H6r; p. 157
Poem Title:
Certain poems upon diverse subjects by the same author. Three odes translated out of Anacreon, the Greek lyric poet. Ode I.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
The bull by nature hath his horns
Page No:
H6r; p. 157
Poem Title:
Ode II. A comparison betwixt the strength of beasts, and the wisdom of man, and the beauty of a woman's face.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Of late what time the bear turned round
Page No:
H6v; p. 158
Poem Title:
Ode III.
Attribution:
Certaine Poemes vpon diuerse Subiects by the same Author
Attributed To:
Thomas Spelman
First Line:
Nature in her work doth give
Page No:
H7r; p. 159
Poem Title:
Anacreons second ode, otherwise
Attribution:
T.S.
Attributed To:
Thomas Spelman
First Line:
Cupid abroad was lated in the night
Page No:
H7r-H7v; pp. 159-160
Poem Title:
Anacreon's Ode, otherwise.
Attribution:
None
Attributed To:
Not attributed
First Line:
The lowest trees have tops the ant her gall
Page No:
H7v; p. 160
Poem Title:
Natural comparisons with perfect love.
Attribution:
None
Attributed To:
Not attributed
First Line:
Compare the bramble with the cedar tree
Page No:
H7v-H8r; pp. 160-161
Poem Title:
An answer to the first staff, that love is unlike in beggars and in kings
Attribution:
None
Attributed To:
Not attributed
First Line:
Bright shines the sun play beggars play
Page No:
H8r-H8v; pp. 161-162
Poem Title:
A song in praise of a beggar's life.
Attribution:
None
Attributed To:
Not attributed
First Line:
Begin and half is done yet half undone remains
Page No:
H8v; p. 162
Poem Title:
Upon beginning without making an end.
Attribution:
None
Attributed To:
Not attributed
First Line:
Cambridge worthy Philip by this verse builds thee an altar
Page No:
H8v; p. 162
Poem Title:
An epigram to Sir Philip Sidney in elegiacal verse, translated out of Jodelle, the French poet.
Attribution:
None
Attributed To:
Not attributed
First Line:
What can I now suspect or what can I fear any longer
Page No:
H8v; p. 162
Poem Title:
Hexameters, upon the never enough praised Sir Philip Sidney
Attribution:
None
Attributed To:
Not attributed
First Line:
What strange adventure' what now unlookt for arrival
Page No:
H8v-H9r; pp. 162-163
Poem Title:
Another upon the same.
Attribution:
None
Attributed To:
Not attributed
First Line:
Whom can I first accuse whose fault account I the greatest
Page No:
H9r-H9v; pp. 163-164
Poem Title:
Others upon the same.
Attribution:
None
Attributed To:
Not attributed
First Line:
Eternal time that wasteth without waste
Page No:
H9v-H10r; pp. 164-165
Poem Title:
To Time
Attribution:
None
Attributed To:
Not attributed
First Line:
O trifling toys that toss the brains
Page No:
H10r-H10v; p. 165-166
Poem Title:
A meditation upon the frailty of this life.
Attribution:
None
Attributed To:
Not attributed
First Line:
Ay me poor soul whom bound in sinful chains
Page No:
H10v; p. 166
Poem Title:
A dialogue between the soul and the body.
Attribution:
None
Attributed To:
Not attributed
First Line:
Hatred eternal furious revenging
Page No:
H10v; p. 166
Poem Title:
Sapphics upon the passion of Christ.
Attribution:
None
Attributed To:
Not attributed
First Line:
Praise pleasure profit is that threefold band
Page No:
H11r; p. 167
Poem Title:
A hymn in praise of music
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Oft did I hear our eyes the passage were
Page No:
H11r-H11v; pp. 178-179
Poem Title:
Ten sonnets to Philomel: Sonnet 1. Upon love's ent'ring by his ears.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
O why did Fame my heart to love betray
Page No:
H12r; p. 179
Poem Title:
Sonnet 2.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
Sickness intending my love to betray
Page No:
H12r; p. 179
Poem Title:
Sonnet 3. Of his own, and of his mistress sickness at one time.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
Pale Death himself did love my Philomel
Page No:
H12v; p. 180
Poem Title:
Sonnet 4. Another of her sickness and recovery.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
My love is sailed aganst dislike to fight
Page No:
H12v; p. 180
Poem Title:
Sonnet 5. Allusion to Theseus voyage to Crete, against the Minotaur.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
Once did my Philomel reflect one me
Page No:
I1r; p. 181
Poem Title:
Sonnet 6. Upon her looking secretly out at a window as he passed by
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
When time nor place would let me often view
Page No:
I1r; p. 181
Poem Title:
Sonnet 7.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
When as the sun eclipsed is some say
Page No:
I1r-I1v; pp. 181-182
Poem Title:
Sonnet 8. To the sun of his mistress beauty eclipsed with frowns.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
If you would know the love which I you bear
Page No:
I1v; p. 182
Poem Title:
Sonnet IX. Upon sending her a gold ring, with this poesy, pure and endless.
Attribution:
Ten Sonnets to Philomel / I. D.
Attributed To:
Sir John Davies
First Line:
My cruel dear having captived my heart
Page No:
I1v-I2r; pp. 182-183
Poem Title:
Sonnet X. The Heart's Captivity
Attribution:
I.D.
Attributed To:
Sir John Davies
First Line:
Of Neptune's empire let us sing
Page No:
I2r; p. 183
Poem Title:
A hymn in praise of Neptune
Attribution:
Th. Campion
Attributed To:
Thomas Campion
First Line:
And would you see my mistress' face
Page No:
I2v; p. 184
Poem Title:
This hymn was sung by Amphitrite, Thamesis, and other sea-nymphs iin Gray's Inn Masque at the court. 1594. Of his mistress's face.
Attribution:
None
Attributed To:
Not attributed
First Line:
Blame not my cheeks though pale with love they be
Page No:
I2v-I3r; pp. 184-185
Poem Title:
Upon her paleness.
Attribution:
Tho. Campion
Attributed To:
Thomas Campion
First Line:
When to her lute Corinna sings
Page No:
I3r; p. 185
Poem Title:
Of Corinna's singing.
Attribution:
Tho. Campion
Attributed To:
Thomas Campion
First Line:
Lady my flame still burning
Page No:
I3r; p. 185
Poem Title:
A dialogue betwixt the lover and his lady
Attribution:
None
Attributed To:
Not attributed
First Line:
Sweet Lord your flame still burning
Page No:
I3r-I3v; pp. 185-186
Poem Title:
Her answer.
Attribution:
Ignoto.
Attributed To:
Nicholas Yonge
First Line:
O faithless world and thy most faithless part
Page No:
I3v; p. 186
Poem Title:
An elegy of a woman's heart.
Attribution:
H.W.
Attributed To:
Sir Henry Wotton
First Line:
Conceit begotten by the eyes
Page No:
I3v-I4r; pp. 186-187
Poem Title:
A posey to prove affection is not love.
Attribution:
W.R.
Attributed To:
Sir Walter Ralegh [Raleigh]
First Line:
Faustina hath the fairer face
Page No:
I4v; p. 188
Poem Title:
Madrigal. In praise of two.
Attribution:
None
Attributed To:
Not attributed
First Line:
Garden more than Eden blessed
Page No:
I4v; p. 188
Poem Title:
To his lady's garden, being absent far from her.
Attribution:
None
Attributed To:
Not attributed
First Line:
Cruel and impartial sickness
Page No:
I5r; p. 189
Poem Title:
Upon his lady's sickness of the small pox.
Attribution:
Th. Spilman.
Attributed To:
Not attributed
First Line:
Her face her tongue her wit so fair so sweet so sharp
Page No:
I5r-I5v; pp. 189-190
Poem Title:
A sonnet in the grace of wit, of tongue, of face.
Attribution:
None
Attributed To:
Not attributed
First Line:
Only sweet love afford me but thy heart
Page No:
I5v; p. 190
Poem Title:
Sonnet. For her heart only.
Attribution:
None
Attributed To:
Not attributed
First Line:
Absence hear thou my prostestation
Page No:
I5v-I6r; pp. 190-191
Poem Title:
Ode. That time and absence proves/Rather helps then hurts to loves.
Attribution:
None
Attributed To:
Not attributed
First Line:
Love is the link the knot the band of unity
Page No:
I6r; p. 191
Poem Title:
The true love's knot.
Attribution:
Ignoto
Attributed To:
Not attributed
First Line:
Best pleased she is when love is most exprest
Page No:
I6v; p. 192
Poem Title:
Sonnet.
Attribution:
None
Attributed To:
Not attributed
First Line:
When a weak child is sick and out of quiet
Page No:
I6v; p. 192
Poem Title:
Sonnet.
Attribution:
None
Attributed To:
Not attributed
First Line:
Were I as base as is the lowly plain
Page No:
I6v-I7r; pp. 192-193
Poem Title:
Sonnet.
Attribution:
I.S.
Attributed To:
Joshua Sylvester
First Line:
My love in her attire doth show her wit
Page No:
I7r; p. 193
Poem Title:
Madrigal.
Attribution:
None
Attributed To:
Not attributed
First Line:
When I to you of all my woes complain
Page No:
I7r; p. 193
Poem Title:
A poem
Attribution:
F.D.
Attributed To:
Francis Davison
First Line:
The poets fain that when the world began
Page No:
I7r-I7v; pp. 193-194
Poem Title:
Sonnet
Attribution:
I.S.
Attributed To:
Joshua Sylvester
First Line:
Are women fair I wondrous fair to see too
Page No:
I7v; p. 194
Poem Title:
An invective against women.
Attribution:
Ignoto.
Attributed To:
Sir Philip Sidney
First Line:
Unhappy verse The witness of unhappy state
Page No:
I8r; p. 195
Poem Title:
Love's embassy in an iambic elegy.
Attribution:
Edmund Spencer.
Attributed To:
Edmund Spenser
First Line:
Mine eye with all the deadly sins is fraught
Page No:
I8r-I8v; pp. 195-196
Poem Title:
Sonnet. Love's seven deadly sins.
Attribution:
None
Attributed To:
Not attributed
First Line:
Ye sister muses do not you repine
Page No:
I8v; p. 196
Poem Title:
Sonnet. To two most honourable and virtuous ladies and sisters, the lady Margaret countess of Cumberland, the lady Anne countess of Warwick.
Attribution:
H.C.
Attributed To:
Not attributed
First Line:
The ancient readers of heaven's book
Page No:
I8v-I9r; pp. 196-197
Poem Title:
Ode. Of Cynthia.
Attribution:
None
Attributed To:
Not attributed
First Line:
Who gives a gift to bind a friend thereby
Page No:
I9r; p. 197
Poem Title:
This song was sung before her sacred majesty at a show on horseback, wherewith the right honourable the earl of Cumberland presented her highness on May day last. Of love gift.
Attribution:
None
Attributed To:
Not attributed
First Line:
Now what is love I pray thee tell
Page No:
I9r-I9v; pp. 197-198
Poem Title:
The Anatomy of Love.
Attribution:
None
Attributed To:
Not attributed
First Line:
If wrong by force had justice put to flight
Page No:
I10r; p. 199
Poem Title:
A poem.
Attribution:
None
Attributed To:
Not attributed
First Line:
If stepdame nature have been scant
Page No:
I10r; p. 199
Poem Title:
A poem in the nature of an epitaph of a friend.
Attribution:
None
Attributed To:
Not attributed
First Line:
Death is my doom awarded by disdain
Page No:
I10v-I11r; pp. 200-201
Poem Title:
Love's contentment
Attribution:
None
Attributed To:
Not attributed
First Line:
Though late my heart yet turn at last
Page No:
I11r; p. 201
Poem Title:
A repentent poem.
Attribution:
None
Attributed To:
Not attributed
First Line:
Whether thy choice or chance thee hither brings
Page No:
I11v; p. 202
Poem Title:
To the epitaph upon the heart of Henry the third, late king of France and Poland: slain 1589 by a Jacobin Frier. Upon the tomb of his heart in the church of Saint Clou. Near Paris, adjoining to the house where he was slain.
Attribution:
F.D.
Attributed To:
Francis Davison
First Line:
That we should more bewail the hap of Kings
Page No:
I12r; p. 203
Poem Title:
Addit. Per. Cha. Best. Arm. An epitaph on Henry the fourth, the last French King.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Eliza that great maiden Queen lies here
Page No:
I12r; p. 203
Poem Title:
An Epitaph on Queen Elizabeth.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Diverse rare gems in thee oh union shine
Page No:
I12r-K1r; pp. 203-205
Poem Title:
Union's Jewel
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Great king since first this isle by Jove's own hand
Page No:
K1v-K2v; pp. 206-208
Poem Title:
A panegyric to my sovereign lord the king.
Attribution:
Attributed To:
Charles Best
First Line:
Dearling of these of future times the glory
Page No:
K2v; p. 208
Poem Title:
To my lord the prince.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
Fair virtue's gem set in most royal gold
Page No:
K3r; p. 209
Poem Title:
To the excellent Lady Elizabeth her grace.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
The poor man beloved for virtue approved right blessed is he
Page No:
K4r; p. 211
Poem Title:
Of the fall of man in Adam.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best
First Line:
But Jove omnipotent all things by his word who created
Page No:
K4r; p. 211
Poem Title:
Of the restoring of man by Christ.
Attribution:
Addit. per Cha. Best. Arm.
Attributed To:
Charles Best